A regular local. Iced coffee and a muffin for $4.04 every day.
I’ve been thinking a lot about color lately. Every time the sun comes out and shines down on our little corner of New England, the snow melts just enough to slip into the street and reflect bright blue patches of sky among streaks of white salt on black asphalt. The warm yellows and cheery reds of brick buildings throw themselves at every window pane, and all of a sudden Main Street is alive and vibrant in spite of the season. I would rip off my coat and boots and dive into the color if only it weren’t so damn cold.
Last week Joe Quinones and Maris Wicks visited the Center for Cartoon Studies and gave a wonderful presentation of their work and current projects, and between their pages of comics and Alec Longstreth’s recent crash course in color theory, I am inspired to get back into figuring out what it is to use color well. This week while sitting in our local coffee shop I couldn’t help but notice a conversation in front of me, and, in my best SNEAK-ATTACK drawing style, Wacom tablet and computer already in front of me, I tried out a little color study:
And then right before I left I did another quick one, trying different colors:
And now I’m completely addicted. Expect to see more of these over the coming weeks.
Back in Vermont! After a great holiday at home and a good start to the new year, I am back at home in the New England cold, swinging away at my thesis project to make some significant progress. Expect to see a lot of drawings and comics over the new few weeks from my sketchbook and desktop. Here are a few more figure drawings from Kriota’s workshop:
Structure of the figure while standing and at rest:
Various added deformities to our two models (Cave-Man & Scoliosis):
And of Kriota (such a wonderful model herself!) as she drew ON the models:
Sorry for the delay in posts, guys! Thesis work has weighed me down, but I’ve made some breakthroughs and real progress lately. Hurray!
Two weeks ago Kriota Willberg came to the Center for Cartoon Studies to teach an intensive two-day workshop on anatomy, aging, weight gain and deformity (posture problems, etc.) geared towards cartoonists to help us understand human bodies and create stronger characters. Her lectures were fascinating and I loved drawing the figure again, and she scared the crap out of all of us about staying fit and healthy (and what it looks like over time when you don’t!). Here is a quick look at what we did: our cumulative assignment was to draw a character nude, the skeleton, the muscles, weight gain (or loss), and the character older (or younger). Look at the effects of age and gravity– yikes! I will post more figure work this week.
Our second year at the Center for Cartoon Studies kicks off today with Alec Longstreth’s Professional Practice class! Yahoo! I’m very excited about this year and all of the opportunities ahead, but also determined to make the most of my time and the work I have to do. David Macaulay has agreed to be my thesis advisor for the year, resuming his role as a mentor and editor from my days at RISD as a sophomore and junior. He is insightful, encouraging, and very critical; it’s all about the work to him, and I deeply appreciate his objectivity. I think it will be a great fall!
I’ve been thinking a lot about thesis projects for my second graduate year at the Center for Cartoon Studies, and continue to return to the idea of doing something that takes place during a wedding, basing some of the plot on our experiences during our engagement and big event. I just ran across this quote in Wedded Bliss:
“In Western Societies today, the white wedding prevails as the dominant form of this popular ritual, and is rapidly becoming the standard for weddings internationally. Although considered traditional, this type of wedding is anything but. The stereotypical, lavish white wedding that has become a highly prescribed spectacle featuring a bride in a formal white wedding gown, a formally dressed groom, some combination of attendants and witnesses, a religious ceremony, and an elaborate– and expensive– wedding reception is largely the product of a host of marketing campaigns. The white wedding has become so overdetermined in the popular imagination that to consider an alternative seems unthinkable.”
Surely there’s something that can be said about this through comics? While keeping the theme from being so heavy handed that it becomes unreadable?