Back in the trenches again with my first figure drawing class in about 6 months. Whew! Am I out of practice! After 6 hours of drawing this is the only one that I’m moderately happy with, but hopefully the next class will yield further exploration through some color studies, and help me regain some ground in drawing from life again. Enjoy!
The expectations build for Building Expectations! Here are the final steps in my process before arriving at the finish:
After many rounds of making drawings and a few key conversations with the curator of Building Expectations, Nathaniel Walker, I honed in on a train-shaped temple design I liked. And then, of course, it was death by tiny buildings!
I had hundreds and hundreds of tiny buildings to draw in 3-point perspective to “build” the city of Industria. Colored pencils on tracing paper helped me keep different sections in order as I began to construct a composition that would work as both the cover of the exhibition catalogue and the centerpiece of the show. The temple and a strong foreground was important for the right-hand side, which would end up being the front cover of the catalogue:
But the back cover needed strong visual weight too, to balance the city detail. Perhaps a very large building, and a moving road with robots? The entire piece also had to contain a significant number of key architectural details from the book, such as French gardens, smoke stacks, glass/iron and “lacy stone” buildings, a “moving road,” and robot slaves. And, of course! a happy couple on a flying machine. And a cat, just because:
And here’s a look at the final rough draft for the drawing, a combination of drawing and gray digital tone:
Building Expectations will open this Friday, September 9th, at the Bell Gallery at Brown University. The final drawing, View of Industria, was executed in graphite at 36″ x 48″ and digitally colored for the giclee print. More views coming next week!