The Adventures of Kavalier & Clay

kavalier-and-clay

It is somehow wildly exhilarating to read, devour really, the chronicled chapters of fiction recounting Sammy’s love for Tracy Bacon and the discovery of his own sexuality, the daring and passion of the love between Joe and Rosa, their art, their ****ing, never seen but smoldering and constant in the hinting in each chapter. Chabon has an amazing tale, and after eight months in cartooning school I am finally beginning to glimpse just how masterfully he has woven his fictional story into the real world of New York City in the late 30’s and early 40’s. It’s SO steamy. And the city vibrates with a life and color that is greater than life, it sings from the past, calling out to these two cousins and the world that somehow brought them together. I want to tell stories with this kind of depth, this kind of significance. I want to be able to absolutely capture my audience. And I have no idea where to find that kind of a story.

Michelangelo wrote of carving as if he must release the form inside the block of marble, as if the figure is already there, waiting, throbbing and tenacious to breathe and live. Is that what it is to write a thing? To create something new. Is the story, can the story, be told with meaning and depth through comics? 

I don’t know. I hope so. I do know that for the better part of two days I’ve done little else but read. This novel is just so damn good most of the time. It’s amazing.

White Weddings

I’ve been thinking a lot about thesis projects for my second graduate year at the Center for Cartoon Studies, and continue to return to the idea of doing something that takes place during a wedding, basing some of the plot on our experiences during our engagement and big event. I just ran across this quote in Wedded Bliss:

“In Western Societies today, the white wedding prevails as the dominant form of this popular ritual, and is rapidly becoming the standard for weddings internationally. Although considered traditional, this type of wedding is anything but. The stereotypical, lavish white wedding that has become a highly prescribed spectacle featuring a bride in a formal white wedding gown, a formally dressed groom, some combination of attendants and witnesses, a religious ceremony, and an elaborate– and expensive– wedding reception is largely the product of a host of marketing campaigns. The white wedding has become so overdetermined in the popular imagination that to consider an alternative seems unthinkable.”

Surely there’s something that can be said about this through comics? While keeping the theme from being so heavy handed that it becomes unreadable?

Mirage Studios Visit

About a week ago a group of us from the Center for Cartoon Studies had the chance to visit Mirage Studios in Northampton, MA, home of the Teenage Mutant Ninja Turtles created by Peter Laird and Kevin Eastman. Peter was a gracious host, answering our questions and telling us stories before giving us great toys! We also got to tour Jim Lawson’s studio, who has been penciling and inking the Turtle comics since they began. We all had a fabulous time. He also posted an image of the mini comic I gave him on his blog– thanks Peter!

http://plairdblog.blogspot.com/2009_04_01_archive.html

Peter Laird

Adventures in Art & Story by Katherine Roy